For centuries fairy tales have been a powerful mode of passing cultural values onto our children, and for many these stories delight and haunt us from cradle to grave. But how have these stories become so powerful and why?
In When Dreams Came True, Jack Zipes explains the social life of the fairy tale, from the sixteenth century on into the twenty-first. Whether exploring Charles Perrault or the Brothers Grimm, Hans Christian Andersen or The Thousand and One Nights, The Happy Prince or Pinocchio, L. Frank Baum or Hermann Hesse, Zipes shows how the authors of our beloved fairy tales used the genre to articulate personal desires, political views, and aesthetic preferences within particular social contexts. Above all, he demonstrates the role that the fairy tale has assumed in the civilizing process-the way it imparts values, norms, and aesthetic taste to children and adults.
This second edition of one of Jack Zipes's best-loved books includes a new preface and two new chapters on J.M. Barrie's Peter Pan and E.T.A. Hoffman's The Nutcracker and the Mouse King.
Über den Autor Zipes Jack
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Jack Zipes is Professor Emeritus of German and comparative literature at the University of Minnesota. In addition to his scholarly work, he is an active storyteller in public schools and has worked with children's theaters in Europe and the United States. Most recently he has published The Enchanted Screen: The Unknown History of Fairy-Tale Films (2010), The Irresistible Fairy Tale: The Cultural and Social History of a Genre (2012), and Grimm Legacies: The Magic Power of the Grimms' Folk and Fairy Tales (2014).Pauline Greenhill is Professor of Women's and Gender Studies at the University of Winnipeg, Manitoba, Canada. Her recent books are Channeling Wonder: Fairy Tales on Television (co-edited with Jill Terry Rudy, 2014); Unsettling Assumptions: Tradition, Gender, Drag (co-edited with Diane Tye, 2014); Transgressive Tales: Queering the Grimms (co-edited with Kay Turner, 2012); Fairy Tale Films: Visions of Ambiguity (co-edited with Sidney Eve Matrix, 2010); and Make the Night Hideous: Four English Canadian Charivaris, 1881-1940 (2010). Kendra Magnus-Johnston is an Interdisciplinary Studies doctoral student at the University of Manitoba. She holds a masters degree in Cultural Studies and an undergraduate degree in Rhetoric and Communications from the University of Winnipeg. Apart from recent contributions to edited collections like Channeling Wonder and Unsettling Assumptions, her research can also be found in journals such as Marvels & Tales, Journal of Folklore Research, and Children's Literature Association Quarterly.
